My Comments
Since when can we rely on the fashion industry to show any sensitivity about anything? What's amusing, and simultaneously dismaying, is the air-brained venality of it all, the pouting snobbery, the "defiant" model with a hip jutted sideways, her thumbs in her belt loops.... The fashion industry plays a sleight-of-hand brilliantly: creating the illusion of trend-making while in fact just recycling the same old things, introducing them to a new generation of consumers. The world of fashion is not the world of ideas of any consequence in this troubled world, but simply an on-going party (with nifty favors) for those able and eager to be part of it. Shocking the boobosie is what it does, and this cover is a perfectly crass and shameless example. But the funny thing is, it shouldn't be shocking: it's fine. Why can't a muscled black athlete cavort in front of a camera with a sleek white female? It's the magazine that's stuck in racism, first and last.
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In praise of Billy Joel
Charles Kaiser on "that New Yorker cover," and the rest of this week's media winners and sinners
Heath Ledger's Dark Knight performance isn't Hollywood's first posthumous success
Radar selects baseball's most scandalous all-star team
The New York Times Magazine pens a love letter to Rush Limbaugh


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Since when can we rely on the fashion industry to show any sensitivity about anything? What's amusing, and simultaneously dismaying, is the air-brained venality of it all, the pouting snobbery, the "defiant" model with a hip jutted sideways, her thumbs in her belt loops.... The fashion industry plays a sleight-of-hand brilliantly: creating the illusion of trend-making while in fact just recycling the same old things, introducing them to a new generation of consumers. The world of fashion is not the world of ideas of any consequence in this troubled world, but simply an on-going party (with nifty favors) for those able and eager to be part of it. Shocking the boobosie is what it does, and this cover is a perfectly crass and shameless example. But the funny thing is, it shouldn't be shocking: it's fine. Why can't a muscled black athlete cavort in front of a camera with a sleek white female? It's the magazine that's stuck in racism, first and last.