Stereotypes in Film(Continued...)
UNTOUCHABLE Pagoda, far right, brought director Wes Anderson under hipster scrutiny Pagoda Pagoda is the manservant of Royal Tenenbaum, who recruited the turbaned Pagoda in Calcutta after Pagoda tried to stab him—not exactly a glowing depiction, especially since Pagoda is barely a character in The Royal Tenenbaums, merely a foil for comic relief. But in an industry severely lacking of Indian characters—the last one we can remember is Hrundi vs. Bakshi in Peter Sellers's The Party—shouldn't the Indian community be happy with any depiction at all? Turns out, they didn't mind that much. In fact, it took a white liberal magazine to throw stones. An article by Christian Lorentzen in N+1 lamented progressive filmmaker Wes Anderson's "casual racism," calling Pagoda, "essentially a caricature coolie. In other words, he's a walking ethnic joke." Apparently, Anderson learned his lesson—his next project, The Darjeeling Limited, is the tale of three brothers who find themselves by traveling through India. Three white Americans finding spiritual enlightenment by going to India and experimenting with Eastern philosophy? Way to make amends, Wes! We only hope the lovable Pagoda might serve as their guide. < BACK TO Features |
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